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Writing Wednesday: The Walking Dead: Leadership Roles

February 6th, 2013

Hey, everyone! It’s Writing Wednesday again and this week’s theme is The Walking Dead! This week, I’ll be sticking close to what we’ve seen in the show. It’s possible that later in the year I’ll talk about the comic. Today I’ll be focusing on the character of Rick as a protagonist that becomes darker and darker as the show goes on. This post may contain mild spoilers.

If you’ve been watching the show, you know that Rick is pretty much the leader of the survivors right now. This has been true since season one but the position becomes more prevalent and defined as the show goes on. Rick once ruled through democracy but an inability to make certain decisions has forced Rick into the role of leader.

The role of leader is a tricky one. I think many writers are inclined to make their leaders fearless, doubtless, and correct in their decisions. The trick to keeping Rick interesting is that the group is often split on his decisions. Because the group is split, the audience is likely to be split on what Rick should do. This tactic keeps the audience engaged in the decisions being made. It also keeps Rick from being a constant do-good hero without flaws.

Each decision, from killing outsiders to killing insiders, pushes Rick a little further from being “good” by his own definition. In season three, the audience is introduced to the character of The Governor. He’s the leader of a town, an actual working town in the apocalypse. On the surface, he seems like a good guy. Underneath, not so much. He goes to great lengths, killing, experimentation, and an iron fist, to keep his own town safe. Like Rick, he’s a leader who has had to make hard decisions to survive. His group is quite a bit larger than Rick’s, so we can only assume that he’s also made difficult decisions to survive.

However, it’s not to be mistaken, The Governor is a bad guy. He’s portrayed as such, even though the water is murky when it comes to the difference between him and Rick.

What separates Rick from The Governor?

The lines are blurry on this one. Earlier in season three, The Governor had his men kill a bunch of military survivors. The reasoning, according to The Governor, was that those men could overthrow their town. Would Rick do that? Right now, I don’t think he would. However, with each passing episode I believe he’s moving closer and closer to being that kind of person.

So, when the lines are this blurred, the audience needs something to latch on to. Here’s where The Governor’s treatment of Maggie comes in. The Governor forces her to strip down in front of him. If you’ve read the comics, you know he’s even worse. This is something the audience probably can’t imagine Rick ever doing. For all the terrible things Rick might be willing to do, they all revolve around protecting the group. They do not revolve around power. The Governor’s traits are centered around personal power and it’s apparent in this scene.

How does the show keep Rick and The Governor relatable and humanized?

Rick has a family, so this is easy. He has children, a wife, and people that he cares about. These are people he can lose, and so these are people he needs to protect. People and attachments help to keep Rick somewhat grounded during these difficult times.

I don’t think it’s out of place to say that The Governor might be Rick’s potential future. The Governor has lost his wife and seen his daughter turned into a walker. Because of this, The Governor is the protector of a group but has few grounding emotional attachments. In fact, his largest attachment is his zombie daughter. If Rick went through the same thing with Carl, I wonder if he truly would break and become nearly indistinguishable from The Governor.

Now it’s your turn, what do you think? Do you see Rick becoming more and more like The Governor? Do you think the writers have done a good job drawing both similarities and differences between these two leaders? Have you seen other leader portrayed the same way Rick has been portrayed over the three seasons?

STORY SUNDAY: LOOPER

February 4th, 2013

Hi, everyone! It’s Story Sunday and today I’m talking about the movie Looper. I’ve heard quite a few mixed reactions to this movie and I knew that when I first went to see it.

I was excited to see this movie. I really like Joseph Gorden-Levitt. I think he’s a great actor with a lot to offer. I also walked into the movie expecting for there to be a few plot holes. Time travel stories can be strange. It’s hard to really nail a great time travel story. I thought this one had a pretty good shot because time travel only seemed to go one way.

If you haven’t seen it, the general premise that that Present Joe (JGL) is supposed to kill Future Joe (Bruce Willis) to “close his loop.” Essentially, Loopers kill people and dispose of bodies from the future. These people are sent back by the mob. Part of being a Looper is that in 30 years, when time travel is invented, you’ll “know too much” and the future version of yourself will be sent back in time to die. Joe fails to kill his future self, which is a major problem. Future Joe then runs around trying to kill someone who becomes a major problem in the future. At this point, that person is a child and can be killed easily.

Telekinesis, or TK, was something small that grew into a major plot device by the end of the movie. Honestly, I think this was a mistake. By the end of the movie, it seems clear that the mention of TK was the gun in the room. The problem is that the viewer doesn’t really know it’s the gun in the room for a while. When TK comes back, it seems slightly strange. I don’t think this broke the movie, I don’t even think it was done terribly, I just think it could have been improved when the movie was being edited.

This brings us to two main questions.

DOES THIS STORY WORK?

Honestly, I think this story does work. Some stories tie time travel to motive or constant advancement, they use it often, they try to explain time travel, and things get very strange very quickly. The characters in this movie don’t understand time travel. They don’t need to understand it. Time travel is the reason Future Joe and Present Joe are in the same room but that’s about it until the end of the movie.

WHAT MAKES THIS STORY WORK?

I think this story works because it’s about how people change over time. In the eyes of Future Joe, Present Joe is worthless, terrible, and unworthy of the love he’s going to receive from his future wife. In the eyes of Present Joe, Future Joe is a menace risking both their lives to kill children. At its core, this movie as about small moments, small things that completely define the future of a person. It’s also about personal growth and how the same person can completely hate who they were or who they become. It may have a few problems but I really like this movie and the ending (which I won’t spoil here).

Have you seen this movie? What did you think of it?

WRITING WEDNESDAY: A RIFT AMONG WRITERS!

January 30th, 2013

Hey, everyone, it’s Writing Wednesday again! This week won’t be talking about writing advice. Instead, I want to focus on something I’ve heard a lot about lately. During my residency at SHU, the topic of literary vs. genre fiction came up pretty often. However, the focus wasn’t on what people enjoyed reading. The focus was on how genre writers have been treated in various academic settings. Other students brought up this issue everyday while I was there and I quickly realized that my own experience didn’t match the majority.

If you’re taking part in Seton Hill’s MFA program, you probably came from a school where you received (at least) an undergraduate degree. If you’re like me, your undergraduate experience was probably where you experienced some of your first writing workshops. Now, I know this isn’t true for all SHU students but that was my experience. I enrolled in seventeen writing workshops during my undergraduate career. My background covers fiction, poetry, non-fiction, and screenplay writing, pretty much in that order. When you go to graduate school, you bring your own set of experiences. This doesn’t just mean how many workshops you’ve taken or what your degree is in, but also how your work has been received in the past.

My undergraduate school, Stetson University, was a great place to write. Their creative writing program was relatively small but I never felt boxed in because the professors were incredibly open-minded about writing. I felt encouraged to write literary fiction as well as genre fiction. Their goal focused on writing well, not writing to a specific audience.

Various students shared their experiences with me and I was shocked by what I heard. Apparently, a lot of undergraduate professors won’t even accept genre work. They won’t teach it, they won’t accept it, and they try to stamp it out wherever it appears. Maybe you’ve had a similar experience. There’s a pretty big problem with this approach. I’m in a program full of genre writers. I’m in a program with people who have been published and people who will be published in the future. Well, genre writers who feel slighted by their former literary professors may carry those feeling over to literary writers in general. These feelings (on both sides) create an unnecessary rift in the writing community.

My own experience was very different. I wrote what I wanted to, when I wanted to, and everything was received equally. I’m still friends with literary writers and I have nothing bad to say about my undergraduate professors or their creative writing department. A woman in one of my undergraduate workshops went on to get a three book deal shortly after graduation. She wrote, and still writes, genre fiction. Other students in the class went on to publish literary short stories. They had the same peers, the same professors, and the same encouragement from people in the department.

Let’s take a quick look at Cormac McCarthy’s The Road. In short, this is a story about a man and his child trying to survive in a post-apocalyptic setting. Now, I love The Road and spent quite a bit of time studying it for a research paper. During my research I came across various critics arguing about whether or not The Road is genre fiction. Well, it’s post-apocalyptic and that sounds a lot like science fiction to me and other seemed to think so as well. However, many critics claimed that there was a lack of other science fiction elements. They also argued that the writing style belonged to literary fiction. Everyone is right. The Road is literary science fiction and I think it’s an absolutely great piece of writing. Obviously, I’m not the only one.

The simple truth is that genre fiction and literary fiction aren’t going anywhere. Creating animosity, holding onto animosity, and poking each other with sticks won’t actually accomplish anything. If someone keeps a talented writer out of their classroom, they’ve only succeeded in telling me that they like to put personal preference above creative productivity. Let’s not do that. Instead, let’s write, write well, and give each other a pat on the back when we accomplish that goal.

STORY SUNDAY: 2013 READING LIST

January 27th, 2013

Hey, everyone! It’s Story Sunday! In the future, this is where I’ll discuss a story or some element of a story. Today, I want to talk about my reading list for 2013. I’ve spent the last few years reading primarily for school. Classes kept me so busy that I didn’t have much time to read outside of what was required. Part of being in an MFA program is writing as much as you can, as well as you can. I, along with others, think the other half of the equation is reading as much as you can.

I know I’m a little late when it comes to making 2013 goals. Residency started right after the the holidays and I’ve been sick ever since. So, while I’m about a month late, I feel 2013 is just beginning.

So here’s my reading list for 2013. It includes a couple of books I need to re-read but not many. This doesn’t include books assigned for my “Readings in the Genre” class. I would like to complete this list in addition to the RIG books assigned.

  1. The Dark Corner – Mark Powell
  2. Mistborn: The Final Empire– Brandon Sanderson
  3. Mistborn: The Well of Ascension– Brandon Sanderson 
  4. Mistborn: The Hero of Ages– Brandon Sanderson 
  5. The Allow of Law: A Mistborn Novel– Brandon Sanderson 
  6. The Lies of Locke Lamora (The Gentleman Bastard Sequence) – Scott Lynch
  7. Red Seas Under Red Skies (The Gentleman Bastard Sequence) – Scott Lynch
  8. A Feast for Crows: A Song of Ice and Fire – George R.R. Martin
  9. A Dance with Dragons: A Song of Ice and Fire – George R.R. Martin
  10. The Name of the Wind – Patrick Rothfuss
  11. The Wise Man’s Fear – Patrick Rothfuss
  12. The Blade Itself: The First Law– Joe Abercombie 
  13. Before they are Hanged: The First Law– Joe Abercombie
  14. Last Argument of Kings: The First Law– Joe Abercombie 
  15. Shogun – James Clavell
  16. The Road – Cormac McCarthy
  17. Blood Song (A Raven’s Shadow Novel) – Anthony Ryan
  18. The Last Unicorn – Peter S. Beagle
  19. The Minotaur Takes a Cigarette Break – Steven Sherrill
  20. The Time Traveler’s Wife – Audrey Niffenegger
  21. Furies of Calderon (Codex Alera) – Jim Butcher 
  22. Academ’s Fury (Codex Alera) – Jim Butcher
  23. Cursor’s Fury (Codex Alera) – Jim Butcher
  24. Captain’s Fury (Codex Alera) – Jim Butcher 
  25. Princep’s Fury (Codex Alera) – Jim Butcher 
  26. First Lord’s Fury (Codex Alera) – Jim Butcher 
  27. Lord Foul’s Bane: The First Chonicles of Thomas Covenant – Stephen  R. Donaldson
  28. The Illearth War: The First Chonicles of Thomas Covenant – Stephen  R. Donaldson
  29. The Power That Preserves: The First Chonicles of Thomas Covenant – Stephen  R. Donaldson
  30. The Wounded Land: The Second Chonicles of Thomas Covenant – Stephen  R. Donaldson
  31. The One Tree: The Second Chonicles of Thomas Covenant – Stephen  R. Donaldson
  32. White Gold Wielder: The Second Chonicles of Thomas Covenant – Stephen  R. Donaldson
  33. The Runes of the Earth: The Last Chronicles of Thomas Covenant – Stephen  R. Donaldson
  34. Fatal Revenant: The Last Chronicles of Thomas Covenant – Stephen  R. Donaldson
  35. Against All Things Ending: The Last Chronicles of Thomas Covenant – Stephen  R. Donaldson
  36. The Last Dark: The Last Chronicles of Thomas Covenant – Stephen  R. Donaldson
  37. Gardens of the Moon (Malazan Book of the Fallen) – Steven Erickson
  38. Deadhouse Gates (Malazan Book of the Fallen) – Steven Erickson 
  39. Memories of Ice (Malazan Book of the Fallen) – Steven Erickson 
  40. House of Chains (Malazan Book of the Fallen) – Steven Erickson
  41. Midnight Tides (Malazan Book of the Fallen) – Steven Erickson
  42. The Bonehunters (Malazan Book of the Fallen) – Steven Erickson 
  43. Reaper’s Gale (Malazan Book of the Fallen) – Steven Erickson
  44. Toll the Hounds (Malazan Book of the Fallen) – Steven Erickson
  45. Dust of Dreams (Malazan Book of the Fallen) – Steven Erickson 
  46. The Crippled God (Malazan Book of the Fallen) –Steven Erickson
  47. The Eye of the World (The Wheel of Time) – Robert Jordan
  48. The Great Hunt (The Wheel of Time) – Robert Jordan
  49. The Dragon Reborn (The Wheel of Time) – Robert Jordan
  50. The Shadow Rising (The Wheel of Time) – Robert Jordan
  51. The Fires of Heaven (The Wheel of Time) – Robert Jordan
  52. Lord of Chaos (The Wheel of Time) – Robert Jordan
  53. A Crown of Swords (The Wheel of Time) – Robert Jordan
  54. The Path of Daggers (The Wheel of Time) – Robert Jordan
  55. Winter’s Heart (The Wheel of Time) – Robert Jordan
  56. Crossroads of Twilight (The Wheel of Time) – Robert Jordan
  57. Knife of Dreams (The Wheel of Time) – Robert Jordan
  58. The Gathering Storm (The Wheel of Time) – Robert Jordan/Brandon Sanderson
  59. Towers of Midnight (The Wheel of Time) – Robert Jordan/Brandon Sanderson
  60. A Memory of Light (The Wheel of Time) – Robert Jordan/Brandon Sanderson

I’m not a particularly fast reader. I have the ability to read quickly but I feel like I don’t get as much out of the novel. I also feel like I don’t remember the novel as well as years go by. So I prefer to take a slower pace. This year will definitely be a challenge for me but I’m looking forward to every book on the list. Over the years, I’ve put off reading quite a few novels because of scheduling conflicts. I’m fortunate to be in a program that encourages this kind of reading.

Now it’s your turn. What books do you plan on reading in 2013? Do you have a set list? Any suggestions for 2014’s reading list?