You are currently browsing the archives for the “Sunday” tag.


STORY SUNDAY: SHORT STORIES, NOVELS, AND THE LAST WISH

February 18th, 2013

Hey, everyone! It’s Story Sunday again and today I’m writing about a novel called The Last Wish by Andrzej Sapkowski. I recently took part in a discussion about the differences between short stories and novels. During the discussion, someone asked about short story collections presented as a novel. Sapkowski’s novel follows this format, which led me to look at it again for this week’s Story Sunday.

The Last Wish follows a protagonist known as Geralt, a witcher. The witchers are an order of monster hunters. A witcher is trained from birth to be stronger than normal humans, they’re sterile, and they possess immunity to many different poisons. The idea the witcher order is interesting. Since they take children into the order from birth, the children never have a choice, which can lead to an interesting debate about ethics and necessity.

The book is woven together by chapters called “The Voice of Reason.” These chapters are placed between the short stories. This format establishes “The Voice of Reason” arc as the present, while the other chapters are flashbacks of Geralt’s past encounters with humans and monsters. Ultimately, you spend a lot of time looking back on Geralt’s life, which would normally be discouraged when writing a novel. However, the short story format allows the reader to feel very engaged during these flashbacks, making them an asset.

Does it work as a novel?

Yes, this book absolutely works as a novel. While it’s comprised of short stories, the stories work together to form a narrative. Each story gives the reader a glimpse into Geralt’s past. With each one the reader understands more about the protagonist, the world, the order of witchers.

Why does it work?

I think the main reason this story works has to do with Geralt as a protagonist. If a reader is interested in a protagonist, they don’t mind flashbacks into the character’s past. Furthermore, each short story plays off of an old fairy tale. This links the stories in yet another way. It gives the stories a theme that the reader can hold onto and enjoy while reading. The protagonist and the running theme are enough to tie this novel up.

Another reason I think this works so well has to do with Sapkowski’s world building. I think it’s difficult to write a great fantasy short story because so much of fantasy depends on world building. The audience actually expects world building. Bringing these short stories together unfolds the world little by little. With just one of them, I might not have a firm grasp of the world Sapkowski has created. Together, I understand the world, the character, and how these experiences have influenced one another. They take what was once episodic and bring it together as a whole.

Have you read The Last Wish? Have you read any other short story collections that are presented as a novel?

Story Sunday: The Walking Dead: A Story of Survivors

February 10th, 2013

Hi, everyone! It’s Story Sunday again and this week I’m writing about The Walking Dead. For all of you who have been waiting (myself included), season three continues tonight!

Honestly, the topic I’ve chose for today could have fit into Writing Wednesday but I think it works for Story Sunday as well. I was going to look at a specific arc in the show but I kept coming back to one idea, just how different The Walking Dead is from other zombie stories I’ve seen. So I decided to look at the beginning of the show, the world building that took place, and how a (somewhat) unresolved arc set the tone of the show.

In the first episode, Rick runs into a man named Morgan and his son named Duane. Morgan and Duane have a tragic story at the end of the world. Morgan’s wife turned into a zombie and at night she him and Duane can see her roaming around outside of their house. Morgan wants to kill his wife, he wants to put her out of her misery, but he can’t seem to do it. This kind of storytelling sets a personal tone for the story. Zombies aren’t chasing them through the streets, they’re not breaking through doors, though we find out later that they’re capable of such things. What the audience is shown initially is the emotional trauma of being left behind in this new world. Rick, who is only beginning his journey, doesn’t know the fate of his family. This begins another emotional arc for the main protagonist.

The Walking Dead isn’t just a survival story at all costs. The narrative focuses on the repercussions of actually living as a survivor in a world that’s a husk its former self.

In order to continue his journey, Rick leaves behind Morgan and Duane. This is kind of a strange thing for the show to do, but like I said before, it sets the tone for the show. Rick says that he’ll turn on his radio every morning at dawn. This gives the audience, and Rick, some hope that he’ll meet back up with Morgan and Duane. This arc isn’t really given much closer, it just fades away. Rick doesn’t see Morgan or Duane again. He doesn’t hear from them on the radio and he can only hope that they’ve survived. As Rick (and the audience) learns more about the world, the less likely their safety seems.

The writers established that in this world, you may need to leave people behind. Unlike many stories, leaving someone behind can be a permanent choice. The protagonist and the viewers may not get to see the resolution of every person they encounter along the way. For some things will end well, for others they’ll end terribly, and some people will just disappear without resolution.

Now it’s your turn. What did you think of the first episode? Were you hooked after just one episode? What other moments did you enjoy from the first season?

STORY SUNDAY: LOOPER

February 4th, 2013

Hi, everyone! It’s Story Sunday and today I’m talking about the movie Looper. I’ve heard quite a few mixed reactions to this movie and I knew that when I first went to see it.

I was excited to see this movie. I really like Joseph Gorden-Levitt. I think he’s a great actor with a lot to offer. I also walked into the movie expecting for there to be a few plot holes. Time travel stories can be strange. It’s hard to really nail a great time travel story. I thought this one had a pretty good shot because time travel only seemed to go one way.

If you haven’t seen it, the general premise that that Present Joe (JGL) is supposed to kill Future Joe (Bruce Willis) to “close his loop.” Essentially, Loopers kill people and dispose of bodies from the future. These people are sent back by the mob. Part of being a Looper is that in 30 years, when time travel is invented, you’ll “know too much” and the future version of yourself will be sent back in time to die. Joe fails to kill his future self, which is a major problem. Future Joe then runs around trying to kill someone who becomes a major problem in the future. At this point, that person is a child and can be killed easily.

Telekinesis, or TK, was something small that grew into a major plot device by the end of the movie. Honestly, I think this was a mistake. By the end of the movie, it seems clear that the mention of TK was the gun in the room. The problem is that the viewer doesn’t really know it’s the gun in the room for a while. When TK comes back, it seems slightly strange. I don’t think this broke the movie, I don’t even think it was done terribly, I just think it could have been improved when the movie was being edited.

This brings us to two main questions.

DOES THIS STORY WORK?

Honestly, I think this story does work. Some stories tie time travel to motive or constant advancement, they use it often, they try to explain time travel, and things get very strange very quickly. The characters in this movie don’t understand time travel. They don’t need to understand it. Time travel is the reason Future Joe and Present Joe are in the same room but that’s about it until the end of the movie.

WHAT MAKES THIS STORY WORK?

I think this story works because it’s about how people change over time. In the eyes of Future Joe, Present Joe is worthless, terrible, and unworthy of the love he’s going to receive from his future wife. In the eyes of Present Joe, Future Joe is a menace risking both their lives to kill children. At its core, this movie as about small moments, small things that completely define the future of a person. It’s also about personal growth and how the same person can completely hate who they were or who they become. It may have a few problems but I really like this movie and the ending (which I won’t spoil here).

Have you seen this movie? What did you think of it?

STORY SUNDAY: 2013 READING LIST

January 27th, 2013

Hey, everyone! It’s Story Sunday! In the future, this is where I’ll discuss a story or some element of a story. Today, I want to talk about my reading list for 2013. I’ve spent the last few years reading primarily for school. Classes kept me so busy that I didn’t have much time to read outside of what was required. Part of being in an MFA program is writing as much as you can, as well as you can. I, along with others, think the other half of the equation is reading as much as you can.

I know I’m a little late when it comes to making 2013 goals. Residency started right after the the holidays and I’ve been sick ever since. So, while I’m about a month late, I feel 2013 is just beginning.

So here’s my reading list for 2013. It includes a couple of books I need to re-read but not many. This doesn’t include books assigned for my “Readings in the Genre” class. I would like to complete this list in addition to the RIG books assigned.

  1. The Dark Corner – Mark Powell
  2. Mistborn: The Final Empire– Brandon Sanderson
  3. Mistborn: The Well of Ascension– Brandon Sanderson 
  4. Mistborn: The Hero of Ages– Brandon Sanderson 
  5. The Allow of Law: A Mistborn Novel– Brandon Sanderson 
  6. The Lies of Locke Lamora (The Gentleman Bastard Sequence) – Scott Lynch
  7. Red Seas Under Red Skies (The Gentleman Bastard Sequence) – Scott Lynch
  8. A Feast for Crows: A Song of Ice and Fire – George R.R. Martin
  9. A Dance with Dragons: A Song of Ice and Fire – George R.R. Martin
  10. The Name of the Wind – Patrick Rothfuss
  11. The Wise Man’s Fear – Patrick Rothfuss
  12. The Blade Itself: The First Law– Joe Abercombie 
  13. Before they are Hanged: The First Law– Joe Abercombie
  14. Last Argument of Kings: The First Law– Joe Abercombie 
  15. Shogun – James Clavell
  16. The Road – Cormac McCarthy
  17. Blood Song (A Raven’s Shadow Novel) – Anthony Ryan
  18. The Last Unicorn – Peter S. Beagle
  19. The Minotaur Takes a Cigarette Break – Steven Sherrill
  20. The Time Traveler’s Wife – Audrey Niffenegger
  21. Furies of Calderon (Codex Alera) – Jim Butcher 
  22. Academ’s Fury (Codex Alera) – Jim Butcher
  23. Cursor’s Fury (Codex Alera) – Jim Butcher
  24. Captain’s Fury (Codex Alera) – Jim Butcher 
  25. Princep’s Fury (Codex Alera) – Jim Butcher 
  26. First Lord’s Fury (Codex Alera) – Jim Butcher 
  27. Lord Foul’s Bane: The First Chonicles of Thomas Covenant – Stephen  R. Donaldson
  28. The Illearth War: The First Chonicles of Thomas Covenant – Stephen  R. Donaldson
  29. The Power That Preserves: The First Chonicles of Thomas Covenant – Stephen  R. Donaldson
  30. The Wounded Land: The Second Chonicles of Thomas Covenant – Stephen  R. Donaldson
  31. The One Tree: The Second Chonicles of Thomas Covenant – Stephen  R. Donaldson
  32. White Gold Wielder: The Second Chonicles of Thomas Covenant – Stephen  R. Donaldson
  33. The Runes of the Earth: The Last Chronicles of Thomas Covenant – Stephen  R. Donaldson
  34. Fatal Revenant: The Last Chronicles of Thomas Covenant – Stephen  R. Donaldson
  35. Against All Things Ending: The Last Chronicles of Thomas Covenant – Stephen  R. Donaldson
  36. The Last Dark: The Last Chronicles of Thomas Covenant – Stephen  R. Donaldson
  37. Gardens of the Moon (Malazan Book of the Fallen) – Steven Erickson
  38. Deadhouse Gates (Malazan Book of the Fallen) – Steven Erickson 
  39. Memories of Ice (Malazan Book of the Fallen) – Steven Erickson 
  40. House of Chains (Malazan Book of the Fallen) – Steven Erickson
  41. Midnight Tides (Malazan Book of the Fallen) – Steven Erickson
  42. The Bonehunters (Malazan Book of the Fallen) – Steven Erickson 
  43. Reaper’s Gale (Malazan Book of the Fallen) – Steven Erickson
  44. Toll the Hounds (Malazan Book of the Fallen) – Steven Erickson
  45. Dust of Dreams (Malazan Book of the Fallen) – Steven Erickson 
  46. The Crippled God (Malazan Book of the Fallen) –Steven Erickson
  47. The Eye of the World (The Wheel of Time) – Robert Jordan
  48. The Great Hunt (The Wheel of Time) – Robert Jordan
  49. The Dragon Reborn (The Wheel of Time) – Robert Jordan
  50. The Shadow Rising (The Wheel of Time) – Robert Jordan
  51. The Fires of Heaven (The Wheel of Time) – Robert Jordan
  52. Lord of Chaos (The Wheel of Time) – Robert Jordan
  53. A Crown of Swords (The Wheel of Time) – Robert Jordan
  54. The Path of Daggers (The Wheel of Time) – Robert Jordan
  55. Winter’s Heart (The Wheel of Time) – Robert Jordan
  56. Crossroads of Twilight (The Wheel of Time) – Robert Jordan
  57. Knife of Dreams (The Wheel of Time) – Robert Jordan
  58. The Gathering Storm (The Wheel of Time) – Robert Jordan/Brandon Sanderson
  59. Towers of Midnight (The Wheel of Time) – Robert Jordan/Brandon Sanderson
  60. A Memory of Light (The Wheel of Time) – Robert Jordan/Brandon Sanderson

I’m not a particularly fast reader. I have the ability to read quickly but I feel like I don’t get as much out of the novel. I also feel like I don’t remember the novel as well as years go by. So I prefer to take a slower pace. This year will definitely be a challenge for me but I’m looking forward to every book on the list. Over the years, I’ve put off reading quite a few novels because of scheduling conflicts. I’m fortunate to be in a program that encourages this kind of reading.

Now it’s your turn. What books do you plan on reading in 2013? Do you have a set list? Any suggestions for 2014’s reading list?