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Writing Wednesday: Game of Thrones Week: The Difference Between Necessary and Unnecessary scenes.

March 27th, 2013

Hey, everyone! It’s Writing Wednesday again here on the blog and it’s also Game of Thrones week.  With the premier of the HBO show taking place later this week, these posts will mostly focus on the television series. Be on the lookout for a week dedicated to the book later this year.

For Writing Wednesday, I thought I would actually talk a little bit about the differences between the novels and the show. This isn’t going to be a straight comparison. Instead, I’m going to look at one challenging aspect of the first novel incorporated into the show, as well as a scene in season two that never took place in the books.

First, I want to talk about a scene with Petyr Baelish. I believe this scene took place in episode eight of the first season. Petyr is instructing two prostitutes on how to have sex with one another for five or ten minutes while giving a monologue. At first glance, it’s a fairly graphic scene that heightens the sexual reputation of the show. However, the scene is actually pretty genius.

While you might not want to sit down and watch this scene with the whole family, it does serve an important purpose. In the first novel, Martin gives us the background of Petyr Baelish and his history with Lady Stark. However, this information isn’t given to us through dialogue. Well, in a television show or movie, information like that needs to be given through dialogue or a voice over. In most cases, dialogue is the better option. This scene gives the audience a private moment with Petyr and allows him to give the information to someone that truly wouldn’t know the information, the new prostitutes. While it is a graphic scene, I do have to applaud the writers for working Petyr’s backstory into the first season.

The second scene I want to talk about is something I felt was unnecessary in the show. In season two, Tyrion sends two prostitutes… wait… I’m seeing a theme here… anyway, he sends two prostitutes to King Joffrey’s room for his birthday. Joffrey then commands the women to beat one another mercilessly with a club or some kind of strange Baratheon staff.

This is another scene you probably won’t sit the family down for. However, unlike the first one, this doesn’t happen in the books and there doesn’t seem to be any reason for it. In fact, given the way Martin writes, the reader never sees a private moment with Joffrey. I’ve heard arguments for and against this scene. The argument for the scene has a couple of valid points. This should be a moment of forbidden pleasure for Joffrey, but he’s turned it into a moment of pain for these two women. He’s also in private, which means that he’s not putting on a show for anyone. It’s meant to show that he’s evil in, quite possibly, every way. I tend to favor the argument against it. At this point, we’ve seen Joffrey threaten and torture (emotionally or physically) just about anyone who crosses his path.  The audience already hates the character, there’s really no need to put this scene in as well. This is a moment where I feel the writers reached too far. It didn’t come across as clever, it came across as fairly unnecessary. Perhaps the scenes greatest downfall is just how unnecessary it seems upon closer examination, unlike the scene with Petyr Baelish.

Now it’s your turn! What did you think of these two scenes? What other moments in the show deviate from the book or display information in a creative way?

Story Sunday: Wedding Crashers

March 24th, 2013

Hey, everyone! It’s Story Sunday again! Like I mentioned last Sunday, this has been a weird month. It’s flying by. Anyway, this weekend I’m away for a wedding. A wedding where I’m the best man, so this has been a pretty awesome and exciting process. Since I’m writing these posts at weird times and in weird places, I’ve decided to make them somewhat themed when I can and fun! Last weekend was the bachelor party and I wrote about The Hangover. So this week is the wedding and I’m going to talk about another one of my favorite comedies, Wedding Crashers.

Wedding Crashers has all the makings of a classic romantic comedy, making it a great date movie and whatnot. However, the movie also reached across the aisle to large male audiences because of the male humor between Vince Vaughn and Owen Wilson’s characters. If you’ll note the connection between last week and this week, Bradley Cooper plays the antagonist in Wedding Crashers. After this movie, I wasn’t sure he would find work again. He played the part well, but I thought he might get stuck in the role of the unlikable asshole for the rest of his life. It worked out, though, and now he’s a big success, which is great.

This movie, like The Hangover, had a unique premise when it arrived in 2005. These were party guys, party guys who were getting older. That premise by itself isn’t very unique or powerful, but the fact that they always attend parties where they don’t belong, weddings to be specific, is a unique and funny premise. Again, like The Hangover, we have a movie that does tension very well. Sure, there’s the emotional tension that comes with every romantic comedy, the issue of wanting to be with someone that you can’t have initially, but that you’ll probably end up with. This comedy adds another layer, the threat of getting caught. In addition to being a source of tension, it’s also a source of humor. How do they manage to avoid getting caught. It starts as a fun form of tension.

The tension of getting caught, however, builds as they get closer and closer to the main female characters, played by Rachel McAdams and Isla Fisher. The stakes get higher, they male characters want to form relationships but they’ve started to do so under false identities. The truth is in direct opposition with desire and it makes for great tension in the movie.

This movie works, the tension works, the romantic elements work, and it enjoyed a lot of success about that. For a while, there was talk of a sequel and I’m glad that it never happened. This movie hit so many different audiences with a great mix of varied humor, different perspectives, a unique premise, and fantastic tension that added to the humor instead of taking away from it.

Now it’s your turn! What other comedies have great tension or a unique premise? If you’ve seen this movie, what was your favorite moment or scene?

Writing Wednesday: Flash Fiction and The Word Wood

March 20th, 2013

It’s that time again, Writing Wednesday here on the blog! This week I’m going to talk a little bit about flash fiction. My own personal experience with flash fiction is pretty limited. It’s something I’ve only recently started reading on a regular basis and I’ve rarely attempted to write it. I’m not an expert but I know someone who gives top notch advice about flash fiction and I’ll talk about her a little later.

For someone who wants to try something new, or someone who is looking to try out writing, I think flash fiction can be a wonderful tool. For a beginner, I think this can create some great habits for description. When your story needs to be five hundred words or less, every description matters, every piece of dialogue matters. In truth, every single word matters and they should all be chosen carefully.

I came to the conclusion that, in my opinion, flash fiction and poetry are really kindred spirits. I began studying poetry in college because my fiction professor thought it would help me hone my descriptions. It worked, my imagery become stronger and tighter because of studying poetry. I think writing flash fiction can exercise some of those same muscles. You need to get right at the heart of the tension, the center of the scene, and the pacing needs to be just right.

If you’re interested in flash fiction, The Word Wood is a great place to check out. The site has some great writers with wonderful stories. The stories are short in word count, but not in scope and depth. With multiple writers working in multiple genres, there’s something on the website for everyone to enjoy. Who knows, one of the stories might even inspire you to write something of your own.

If you’re interested in learning how to write flash fiction, I’ll direct to my friend R² Writes. You can find her first post on the subject here, and her second one here. She’s also one of the writers for The Word Wood, so you can check out her writing and see some of her advice in action. If you end up having questions about the subject, feel free to contact her over on her blog. She’s always happy to talk about writing and flash fiction is something she’s incredibly familiar with.

Now it’s your turn! Do you write flash fiction? Are you interested in trying it out? What techniques do you use in your own writing to keep phrases and descriptions concise?

Story Sunday: The Hangover

March 17th, 2013

Hi, everyone! It’s Story Sunday again! I have to admit that this month has been a bit strange, so my choices for Story Sunday are a little unusual. In addition to a couple of big deadlines, I had an old friend come into town for a week and this weekend I threw a bachelor party. Next weekend I’ll be out of town to attend a wedding where I’ll be the best man. So I’m writing the posts at strange times, surrounded by strange events, trying to keep up with deadlines, and watching March fly by in front of me. In honor of the bachelor party weekend, I’m talking about The Hangover.

Surprisingly, this movie is still pretty relevant since The Hangover III is in the works and (unless I’m mistaken) will be coming out later this year. The Hangover is full of absurdity that slowly unfolds in front of the audience. When this movie first came out, I watched it in a sold out theater. This movie was a huge success and I think there are a few reasons worth mentioning here.

When a movie has an original concept or idea, or a different twist on an idea, it always has the potential to be a huge success. The Hangover is the perfect example of a twist on the classic party movies. This is after the party, after the big night, and these guys need to figure out what they did and where they went. At the time, the market had been saturated with party movies. You know the type, big movies where characters do all kinds of hilarious things because of drinking or drugs. This movie is different. We have a missing person, a wedding to attend, and three characters that are worn out, confused, and trying to use clues from their hotel room and pockets to figure out what they did. We get to experience the humor of the morning after, the humor of watching a couple of wrecks figure out what they did.

Even though it’s a comedy, this movie handles tension really well. There’s the tension of a missing friend, an impending wedding, and the mind game of figuring out how long they can go without calling the bride. There’s tension between the characters, especially with Alan and his loose handle on reality. Then, there’s a constant feeling of suspense, which creates enormous tension. Each step forward is going to pull back the curtain a little further. When that happens, there’s always a new problem to deal with, leading to suspense uncommon in most comedies.

This movie works and it’s fantastic. This is definitely one of my favorite comedies. I couldn’t really say the same about the second one and I’m not sure what to expect from the third. The first one, however, is great and I always enjoy watching it.

Now it’s your turn! What other comedies manage to create great moments of suspense and tension? What’s your favorite moment from the movie? Are you looking forward to a third installment?

Writing Wednesday: Using RPG Books

March 13th, 2013

Hey! It’s Writing Wednesday again and today I’m going to talk about RPG books. Books for Roleplaying Games like D&D, which I’ve talked about on the blog before. These books can be amazing tools for writer, especially fantasy writers. While you might be skeptical at first, trust me, these books can be a great source of information and inspiration.

A couple of weeks ago I took part in a Google Hangout with R² Writes. I’ve mentioned her on the blog before. If you haven’t checked out her blog, stop by and take a look at it, she’s really great. Anyway, in the background, I noticed what looked like a Dungeons and Dragons Monster Manual on her bookshelf. When I brought it up, she revealed that she owned a few of these books for the purpose of looking through monsters for her own writing. They can be an amazing starting point for inspiration in a person’s writing. I’ve always advocated the use of these books to other writers and when I saw it on her bookshelf, I thought it might be worth doing a blog post on the subject.

The Monster Manual books are great, from any edition, and have some fantastic artwork inside of them. They can also be used for an interesting look at lore, though your mileage will vary with different books and different description. While those books are great, they’re not so different from finding collections of bestiaries and flipping through those. So, while those are useful RPG books, there are some with even more uses.

About twenty years ago a company named White Wolf acquired the rights to the world of Ravenloft created for Dungeons and Dragons. White Wolf proceeded to make quite a few products about Ravenloft, my favorites being the gazetteers. They numbered five in total and each book covered only a couple of regions that make up Ravenloft. For each region they would discuss how much education the average person had, and how much a wealthy person had. They addressed the number of wealthy to the number of poor, the fashion, the languages, and the cultural traditions of the region.

The information you acquired about a town, a region, would most likely be more than you could ever make use of in your Dungeons and Dragons campaign. However, it was there, the information was present. The DM could use or disregard any of it. For writers, this is what we need to achieve with our own novels and our own world building. These book can be wonderful sources because we can look at great world building and see what it involves. We can look at different regions and question ourselves about the different regions in our story. Then, just like with a Dungeons and Dragon campaign, some of the information will be brought into the story, some won’t, but it will all be there if the storyteller needs it. They can be wonderful for inspiration but they can also be a guide for you to look to when you feel your own world is underdeveloped. They can be a blueprint of the things you should know about your own story.

Now it’s your turn! What helps you with inspiration for world building and monsters? What sources do you look at when you feel your own world is underdeveloped?