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Writing Wednesday: Game of Thrones Week: The Difference Between Necessary and Unnecessary scenes.

March 27th, 2013

Hey, everyone! It’s Writing Wednesday again here on the blog and it’s also Game of Thrones week.  With the premier of the HBO show taking place later this week, these posts will mostly focus on the television series. Be on the lookout for a week dedicated to the book later this year.

For Writing Wednesday, I thought I would actually talk a little bit about the differences between the novels and the show. This isn’t going to be a straight comparison. Instead, I’m going to look at one challenging aspect of the first novel incorporated into the show, as well as a scene in season two that never took place in the books.

First, I want to talk about a scene with Petyr Baelish. I believe this scene took place in episode eight of the first season. Petyr is instructing two prostitutes on how to have sex with one another for five or ten minutes while giving a monologue. At first glance, it’s a fairly graphic scene that heightens the sexual reputation of the show. However, the scene is actually pretty genius.

While you might not want to sit down and watch this scene with the whole family, it does serve an important purpose. In the first novel, Martin gives us the background of Petyr Baelish and his history with Lady Stark. However, this information isn’t given to us through dialogue. Well, in a television show or movie, information like that needs to be given through dialogue or a voice over. In most cases, dialogue is the better option. This scene gives the audience a private moment with Petyr and allows him to give the information to someone that truly wouldn’t know the information, the new prostitutes. While it is a graphic scene, I do have to applaud the writers for working Petyr’s backstory into the first season.

The second scene I want to talk about is something I felt was unnecessary in the show. In season two, Tyrion sends two prostitutes… wait… I’m seeing a theme here… anyway, he sends two prostitutes to King Joffrey’s room for his birthday. Joffrey then commands the women to beat one another mercilessly with a club or some kind of strange Baratheon staff.

This is another scene you probably won’t sit the family down for. However, unlike the first one, this doesn’t happen in the books and there doesn’t seem to be any reason for it. In fact, given the way Martin writes, the reader never sees a private moment with Joffrey. I’ve heard arguments for and against this scene. The argument for the scene has a couple of valid points. This should be a moment of forbidden pleasure for Joffrey, but he’s turned it into a moment of pain for these two women. He’s also in private, which means that he’s not putting on a show for anyone. It’s meant to show that he’s evil in, quite possibly, every way. I tend to favor the argument against it. At this point, we’ve seen Joffrey threaten and torture (emotionally or physically) just about anyone who crosses his path.  The audience already hates the character, there’s really no need to put this scene in as well. This is a moment where I feel the writers reached too far. It didn’t come across as clever, it came across as fairly unnecessary. Perhaps the scenes greatest downfall is just how unnecessary it seems upon closer examination, unlike the scene with Petyr Baelish.

Now it’s your turn! What did you think of these two scenes? What other moments in the show deviate from the book or display information in a creative way?

Writing Wednesday: Prisoners and Power

February 27th, 2013

It’s Writing Wednesday again here on the blog and today’s topic is about power. Specifically, I’m talking about power through the caged beast, scenes where one character is locked up, chained, bound, or otherwise detained. In all forms of storytelling, it’s worth taking note of which characters have power in any scene. Sometimes the answer is obvious, other times the answer lies beyond the obvious portrait a storyteller has given the audience.

When a character is being held against their will, it’s always important to note how they’re being detained. Right now, I’ll go ahead and use two examples from Game of Thrones (the show, though I don’t believe the show deviates from the books in this area) where Ned Stark and Jaime Lannister are prisoners. When the audience sees Ned, his eyes are squinted because of torchlight. He’s nearly blind, his voice is hoarse, and he’s incredibly thirsty. Varys comes in to speak with him and gives him water. If Ned is chained in any way, it’s not severe because he can still use his hands to drink. This is simple, Varys has all the power. He has the power to free Ned, give him water, leave him to die, or just speak with the man.

Jaime is a different animal entirely. At first, we see Jamie bound to a pole with his hands behind his back. He smiles, he’s not dying of thirst, and he makes jokes to the people keeping him prisoner. Later, we see a field of prisoners in wooden cages. However, when we see Jamie, he’s bound to another pole within the wooden cage. He smiles and jokes again while his captor tries to assert dominance. It’s even mentioned that his captor can’t leave Jamie at a castle with a trusted ally because they can’t be trusted to hold Jamie. This brings up the question of true loyalty, while showing the power Jamie has, even as a prisoner.

Jaime is an example of the caged beast. The monster that has been captured, but not broken, not controlled or tamed. We’ve seen many examples of this over the years. Recently, the movie Skyfall did a similar thing with its villain. The man was captured and placed within a small room within a larger room. The small room’s walls were clear and guards were able to see his every movement. The small cage was also elevated if I remember correctly, putting the villain on a sort of stage over his captors. We see the same thing with Magneto in the X-Men movies. He’s kept within a clear room of plastic, within a much larger room, and the only way to reach him is to cross a plastic bridge. Such extremes are meant to make the villain feel hopeless, though it rarely works. Such elaborate arrangements are made out of fear, the fear of power, the power of the villain, which is currently on display even in captivity. One can also look at The Silence of the Lambs and note the balance of power between Clarice and Hannibal

Now it’s your turn. How do you display power in your writing? When thinking about this topic, what other examples come to mind? 

STORY SUNDAY: 2013 READING LIST

January 27th, 2013

Hey, everyone! It’s Story Sunday! In the future, this is where I’ll discuss a story or some element of a story. Today, I want to talk about my reading list for 2013. I’ve spent the last few years reading primarily for school. Classes kept me so busy that I didn’t have much time to read outside of what was required. Part of being in an MFA program is writing as much as you can, as well as you can. I, along with others, think the other half of the equation is reading as much as you can.

I know I’m a little late when it comes to making 2013 goals. Residency started right after the the holidays and I’ve been sick ever since. So, while I’m about a month late, I feel 2013 is just beginning.

So here’s my reading list for 2013. It includes a couple of books I need to re-read but not many. This doesn’t include books assigned for my “Readings in the Genre” class. I would like to complete this list in addition to the RIG books assigned.

  1. The Dark Corner – Mark Powell
  2. Mistborn: The Final Empire– Brandon Sanderson
  3. Mistborn: The Well of Ascension– Brandon Sanderson 
  4. Mistborn: The Hero of Ages– Brandon Sanderson 
  5. The Allow of Law: A Mistborn Novel– Brandon Sanderson 
  6. The Lies of Locke Lamora (The Gentleman Bastard Sequence) – Scott Lynch
  7. Red Seas Under Red Skies (The Gentleman Bastard Sequence) – Scott Lynch
  8. A Feast for Crows: A Song of Ice and Fire – George R.R. Martin
  9. A Dance with Dragons: A Song of Ice and Fire – George R.R. Martin
  10. The Name of the Wind – Patrick Rothfuss
  11. The Wise Man’s Fear – Patrick Rothfuss
  12. The Blade Itself: The First Law– Joe Abercombie 
  13. Before they are Hanged: The First Law– Joe Abercombie
  14. Last Argument of Kings: The First Law– Joe Abercombie 
  15. Shogun – James Clavell
  16. The Road – Cormac McCarthy
  17. Blood Song (A Raven’s Shadow Novel) – Anthony Ryan
  18. The Last Unicorn – Peter S. Beagle
  19. The Minotaur Takes a Cigarette Break – Steven Sherrill
  20. The Time Traveler’s Wife – Audrey Niffenegger
  21. Furies of Calderon (Codex Alera) – Jim Butcher 
  22. Academ’s Fury (Codex Alera) – Jim Butcher
  23. Cursor’s Fury (Codex Alera) – Jim Butcher
  24. Captain’s Fury (Codex Alera) – Jim Butcher 
  25. Princep’s Fury (Codex Alera) – Jim Butcher 
  26. First Lord’s Fury (Codex Alera) – Jim Butcher 
  27. Lord Foul’s Bane: The First Chonicles of Thomas Covenant – Stephen  R. Donaldson
  28. The Illearth War: The First Chonicles of Thomas Covenant – Stephen  R. Donaldson
  29. The Power That Preserves: The First Chonicles of Thomas Covenant – Stephen  R. Donaldson
  30. The Wounded Land: The Second Chonicles of Thomas Covenant – Stephen  R. Donaldson
  31. The One Tree: The Second Chonicles of Thomas Covenant – Stephen  R. Donaldson
  32. White Gold Wielder: The Second Chonicles of Thomas Covenant – Stephen  R. Donaldson
  33. The Runes of the Earth: The Last Chronicles of Thomas Covenant – Stephen  R. Donaldson
  34. Fatal Revenant: The Last Chronicles of Thomas Covenant – Stephen  R. Donaldson
  35. Against All Things Ending: The Last Chronicles of Thomas Covenant – Stephen  R. Donaldson
  36. The Last Dark: The Last Chronicles of Thomas Covenant – Stephen  R. Donaldson
  37. Gardens of the Moon (Malazan Book of the Fallen) – Steven Erickson
  38. Deadhouse Gates (Malazan Book of the Fallen) – Steven Erickson 
  39. Memories of Ice (Malazan Book of the Fallen) – Steven Erickson 
  40. House of Chains (Malazan Book of the Fallen) – Steven Erickson
  41. Midnight Tides (Malazan Book of the Fallen) – Steven Erickson
  42. The Bonehunters (Malazan Book of the Fallen) – Steven Erickson 
  43. Reaper’s Gale (Malazan Book of the Fallen) – Steven Erickson
  44. Toll the Hounds (Malazan Book of the Fallen) – Steven Erickson
  45. Dust of Dreams (Malazan Book of the Fallen) – Steven Erickson 
  46. The Crippled God (Malazan Book of the Fallen) –Steven Erickson
  47. The Eye of the World (The Wheel of Time) – Robert Jordan
  48. The Great Hunt (The Wheel of Time) – Robert Jordan
  49. The Dragon Reborn (The Wheel of Time) – Robert Jordan
  50. The Shadow Rising (The Wheel of Time) – Robert Jordan
  51. The Fires of Heaven (The Wheel of Time) – Robert Jordan
  52. Lord of Chaos (The Wheel of Time) – Robert Jordan
  53. A Crown of Swords (The Wheel of Time) – Robert Jordan
  54. The Path of Daggers (The Wheel of Time) – Robert Jordan
  55. Winter’s Heart (The Wheel of Time) – Robert Jordan
  56. Crossroads of Twilight (The Wheel of Time) – Robert Jordan
  57. Knife of Dreams (The Wheel of Time) – Robert Jordan
  58. The Gathering Storm (The Wheel of Time) – Robert Jordan/Brandon Sanderson
  59. Towers of Midnight (The Wheel of Time) – Robert Jordan/Brandon Sanderson
  60. A Memory of Light (The Wheel of Time) – Robert Jordan/Brandon Sanderson

I’m not a particularly fast reader. I have the ability to read quickly but I feel like I don’t get as much out of the novel. I also feel like I don’t remember the novel as well as years go by. So I prefer to take a slower pace. This year will definitely be a challenge for me but I’m looking forward to every book on the list. Over the years, I’ve put off reading quite a few novels because of scheduling conflicts. I’m fortunate to be in a program that encourages this kind of reading.

Now it’s your turn. What books do you plan on reading in 2013? Do you have a set list? Any suggestions for 2014’s reading list?