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The End of a Not-So-Brief Hiatus

August 28th, 2013

Hey, everyone. As you may have noticed, my brief hiatus turned into a rather lengthy departure from blogging. For those of you who were following the blog, you have my apologies. I’m sorry for the sudden halt in posts. Unfortunately, a lot of things continued to pile on top of one another and I couldn’t continue to maintain the structure of the blog.

That should mostly be over now and I’m looking forward to jumping back into the blog with some great topics! I will say that my future posts may be less frequent than before. Ideally, I will post three times a week using the old structure. However, if life becomes a bit too much, I may only make two posts a week. After being away for so long, I realized that I probably didn’t need to stop the blog entirely. When I wasn’t able to keep up with the three posts per week, I stopped posting completely. If things get intense again, I won’t do that. I’ll continue to post when I can so there isn’t such a lengthy gap. My current structure will act more as a suggestion, instead of an all-or-nothing command.

Keep visiting because I’ll be talking about Breaking Bad, Mad Men, GenCon, The Walking Dead, Science Fiction novels, Fantasy novels, and much more in the coming months.

Writing Wednesday: Game of Thrones Week: The Difference Between Necessary and Unnecessary scenes.

March 27th, 2013

Hey, everyone! It’s Writing Wednesday again here on the blog and it’s also Game of Thrones week.  With the premier of the HBO show taking place later this week, these posts will mostly focus on the television series. Be on the lookout for a week dedicated to the book later this year.

For Writing Wednesday, I thought I would actually talk a little bit about the differences between the novels and the show. This isn’t going to be a straight comparison. Instead, I’m going to look at one challenging aspect of the first novel incorporated into the show, as well as a scene in season two that never took place in the books.

First, I want to talk about a scene with Petyr Baelish. I believe this scene took place in episode eight of the first season. Petyr is instructing two prostitutes on how to have sex with one another for five or ten minutes while giving a monologue. At first glance, it’s a fairly graphic scene that heightens the sexual reputation of the show. However, the scene is actually pretty genius.

While you might not want to sit down and watch this scene with the whole family, it does serve an important purpose. In the first novel, Martin gives us the background of Petyr Baelish and his history with Lady Stark. However, this information isn’t given to us through dialogue. Well, in a television show or movie, information like that needs to be given through dialogue or a voice over. In most cases, dialogue is the better option. This scene gives the audience a private moment with Petyr and allows him to give the information to someone that truly wouldn’t know the information, the new prostitutes. While it is a graphic scene, I do have to applaud the writers for working Petyr’s backstory into the first season.

The second scene I want to talk about is something I felt was unnecessary in the show. In season two, Tyrion sends two prostitutes… wait… I’m seeing a theme here… anyway, he sends two prostitutes to King Joffrey’s room for his birthday. Joffrey then commands the women to beat one another mercilessly with a club or some kind of strange Baratheon staff.

This is another scene you probably won’t sit the family down for. However, unlike the first one, this doesn’t happen in the books and there doesn’t seem to be any reason for it. In fact, given the way Martin writes, the reader never sees a private moment with Joffrey. I’ve heard arguments for and against this scene. The argument for the scene has a couple of valid points. This should be a moment of forbidden pleasure for Joffrey, but he’s turned it into a moment of pain for these two women. He’s also in private, which means that he’s not putting on a show for anyone. It’s meant to show that he’s evil in, quite possibly, every way. I tend to favor the argument against it. At this point, we’ve seen Joffrey threaten and torture (emotionally or physically) just about anyone who crosses his path.  The audience already hates the character, there’s really no need to put this scene in as well. This is a moment where I feel the writers reached too far. It didn’t come across as clever, it came across as fairly unnecessary. Perhaps the scenes greatest downfall is just how unnecessary it seems upon closer examination, unlike the scene with Petyr Baelish.

Now it’s your turn! What did you think of these two scenes? What other moments in the show deviate from the book or display information in a creative way?

Writing Wednesday: Prisoners and Power

February 27th, 2013

It’s Writing Wednesday again here on the blog and today’s topic is about power. Specifically, I’m talking about power through the caged beast, scenes where one character is locked up, chained, bound, or otherwise detained. In all forms of storytelling, it’s worth taking note of which characters have power in any scene. Sometimes the answer is obvious, other times the answer lies beyond the obvious portrait a storyteller has given the audience.

When a character is being held against their will, it’s always important to note how they’re being detained. Right now, I’ll go ahead and use two examples from Game of Thrones (the show, though I don’t believe the show deviates from the books in this area) where Ned Stark and Jaime Lannister are prisoners. When the audience sees Ned, his eyes are squinted because of torchlight. He’s nearly blind, his voice is hoarse, and he’s incredibly thirsty. Varys comes in to speak with him and gives him water. If Ned is chained in any way, it’s not severe because he can still use his hands to drink. This is simple, Varys has all the power. He has the power to free Ned, give him water, leave him to die, or just speak with the man.

Jaime is a different animal entirely. At first, we see Jamie bound to a pole with his hands behind his back. He smiles, he’s not dying of thirst, and he makes jokes to the people keeping him prisoner. Later, we see a field of prisoners in wooden cages. However, when we see Jamie, he’s bound to another pole within the wooden cage. He smiles and jokes again while his captor tries to assert dominance. It’s even mentioned that his captor can’t leave Jamie at a castle with a trusted ally because they can’t be trusted to hold Jamie. This brings up the question of true loyalty, while showing the power Jamie has, even as a prisoner.

Jaime is an example of the caged beast. The monster that has been captured, but not broken, not controlled or tamed. We’ve seen many examples of this over the years. Recently, the movie Skyfall did a similar thing with its villain. The man was captured and placed within a small room within a larger room. The small room’s walls were clear and guards were able to see his every movement. The small cage was also elevated if I remember correctly, putting the villain on a sort of stage over his captors. We see the same thing with Magneto in the X-Men movies. He’s kept within a clear room of plastic, within a much larger room, and the only way to reach him is to cross a plastic bridge. Such extremes are meant to make the villain feel hopeless, though it rarely works. Such elaborate arrangements are made out of fear, the fear of power, the power of the villain, which is currently on display even in captivity. One can also look at The Silence of the Lambs and note the balance of power between Clarice and Hannibal

Now it’s your turn. How do you display power in your writing? When thinking about this topic, what other examples come to mind?