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WRITING WEDNESDAY: A RIFT AMONG WRITERS!

January 30th, 2013

Hey, everyone, it’s Writing Wednesday again! This week won’t be talking about writing advice. Instead, I want to focus on something I’ve heard a lot about lately. During my residency at SHU, the topic of literary vs. genre fiction came up pretty often. However, the focus wasn’t on what people enjoyed reading. The focus was on how genre writers have been treated in various academic settings. Other students brought up this issue everyday while I was there and I quickly realized that my own experience didn’t match the majority.

If you’re taking part in Seton Hill’s MFA program, you probably came from a school where you received (at least) an undergraduate degree. If you’re like me, your undergraduate experience was probably where you experienced some of your first writing workshops. Now, I know this isn’t true for all SHU students but that was my experience. I enrolled in seventeen writing workshops during my undergraduate career. My background covers fiction, poetry, non-fiction, and screenplay writing, pretty much in that order. When you go to graduate school, you bring your own set of experiences. This doesn’t just mean how many workshops you’ve taken or what your degree is in, but also how your work has been received in the past.

My undergraduate school, Stetson University, was a great place to write. Their creative writing program was relatively small but I never felt boxed in because the professors were incredibly open-minded about writing. I felt encouraged to write literary fiction as well as genre fiction. Their goal focused on writing well, not writing to a specific audience.

Various students shared their experiences with me and I was shocked by what I heard. Apparently, a lot of undergraduate professors won’t even accept genre work. They won’t teach it, they won’t accept it, and they try to stamp it out wherever it appears. Maybe you’ve had a similar experience. There’s a pretty big problem with this approach. I’m in a program full of genre writers. I’m in a program with people who have been published and people who will be published in the future. Well, genre writers who feel slighted by their former literary professors may carry those feeling over to literary writers in general. These feelings (on both sides) create an unnecessary rift in the writing community.

My own experience was very different. I wrote what I wanted to, when I wanted to, and everything was received equally. I’m still friends with literary writers and I have nothing bad to say about my undergraduate professors or their creative writing department. A woman in one of my undergraduate workshops went on to get a three book deal shortly after graduation. She wrote, and still writes, genre fiction. Other students in the class went on to publish literary short stories. They had the same peers, the same professors, and the same encouragement from people in the department.

Let’s take a quick look at Cormac McCarthy’s The Road. In short, this is a story about a man and his child trying to survive in a post-apocalyptic setting. Now, I love The Road and spent quite a bit of time studying it for a research paper. During my research I came across various critics arguing about whether or not The Road is genre fiction. Well, it’s post-apocalyptic and that sounds a lot like science fiction to me and other seemed to think so as well. However, many critics claimed that there was a lack of other science fiction elements. They also argued that the writing style belonged to literary fiction. Everyone is right. The Road is literary science fiction and I think it’s an absolutely great piece of writing. Obviously, I’m not the only one.

The simple truth is that genre fiction and literary fiction aren’t going anywhere. Creating animosity, holding onto animosity, and poking each other with sticks won’t actually accomplish anything. If someone keeps a talented writer out of their classroom, they’ve only succeeded in telling me that they like to put personal preference above creative productivity. Let’s not do that. Instead, let’s write, write well, and give each other a pat on the back when we accomplish that goal.

STORY SUNDAY: 2013 READING LIST

January 27th, 2013

Hey, everyone! It’s Story Sunday! In the future, this is where I’ll discuss a story or some element of a story. Today, I want to talk about my reading list for 2013. I’ve spent the last few years reading primarily for school. Classes kept me so busy that I didn’t have much time to read outside of what was required. Part of being in an MFA program is writing as much as you can, as well as you can. I, along with others, think the other half of the equation is reading as much as you can.

I know I’m a little late when it comes to making 2013 goals. Residency started right after the the holidays and I’ve been sick ever since. So, while I’m about a month late, I feel 2013 is just beginning.

So here’s my reading list for 2013. It includes a couple of books I need to re-read but not many. This doesn’t include books assigned for my “Readings in the Genre” class. I would like to complete this list in addition to the RIG books assigned.

  1. The Dark Corner – Mark Powell
  2. Mistborn: The Final Empire– Brandon Sanderson
  3. Mistborn: The Well of Ascension– Brandon Sanderson 
  4. Mistborn: The Hero of Ages– Brandon Sanderson 
  5. The Allow of Law: A Mistborn Novel– Brandon Sanderson 
  6. The Lies of Locke Lamora (The Gentleman Bastard Sequence) – Scott Lynch
  7. Red Seas Under Red Skies (The Gentleman Bastard Sequence) – Scott Lynch
  8. A Feast for Crows: A Song of Ice and Fire – George R.R. Martin
  9. A Dance with Dragons: A Song of Ice and Fire – George R.R. Martin
  10. The Name of the Wind – Patrick Rothfuss
  11. The Wise Man’s Fear – Patrick Rothfuss
  12. The Blade Itself: The First Law– Joe Abercombie 
  13. Before they are Hanged: The First Law– Joe Abercombie
  14. Last Argument of Kings: The First Law– Joe Abercombie 
  15. Shogun – James Clavell
  16. The Road – Cormac McCarthy
  17. Blood Song (A Raven’s Shadow Novel) – Anthony Ryan
  18. The Last Unicorn – Peter S. Beagle
  19. The Minotaur Takes a Cigarette Break – Steven Sherrill
  20. The Time Traveler’s Wife – Audrey Niffenegger
  21. Furies of Calderon (Codex Alera) – Jim Butcher 
  22. Academ’s Fury (Codex Alera) – Jim Butcher
  23. Cursor’s Fury (Codex Alera) – Jim Butcher
  24. Captain’s Fury (Codex Alera) – Jim Butcher 
  25. Princep’s Fury (Codex Alera) – Jim Butcher 
  26. First Lord’s Fury (Codex Alera) – Jim Butcher 
  27. Lord Foul’s Bane: The First Chonicles of Thomas Covenant – Stephen  R. Donaldson
  28. The Illearth War: The First Chonicles of Thomas Covenant – Stephen  R. Donaldson
  29. The Power That Preserves: The First Chonicles of Thomas Covenant – Stephen  R. Donaldson
  30. The Wounded Land: The Second Chonicles of Thomas Covenant – Stephen  R. Donaldson
  31. The One Tree: The Second Chonicles of Thomas Covenant – Stephen  R. Donaldson
  32. White Gold Wielder: The Second Chonicles of Thomas Covenant – Stephen  R. Donaldson
  33. The Runes of the Earth: The Last Chronicles of Thomas Covenant – Stephen  R. Donaldson
  34. Fatal Revenant: The Last Chronicles of Thomas Covenant – Stephen  R. Donaldson
  35. Against All Things Ending: The Last Chronicles of Thomas Covenant – Stephen  R. Donaldson
  36. The Last Dark: The Last Chronicles of Thomas Covenant – Stephen  R. Donaldson
  37. Gardens of the Moon (Malazan Book of the Fallen) – Steven Erickson
  38. Deadhouse Gates (Malazan Book of the Fallen) – Steven Erickson 
  39. Memories of Ice (Malazan Book of the Fallen) – Steven Erickson 
  40. House of Chains (Malazan Book of the Fallen) – Steven Erickson
  41. Midnight Tides (Malazan Book of the Fallen) – Steven Erickson
  42. The Bonehunters (Malazan Book of the Fallen) – Steven Erickson 
  43. Reaper’s Gale (Malazan Book of the Fallen) – Steven Erickson
  44. Toll the Hounds (Malazan Book of the Fallen) – Steven Erickson
  45. Dust of Dreams (Malazan Book of the Fallen) – Steven Erickson 
  46. The Crippled God (Malazan Book of the Fallen) –Steven Erickson
  47. The Eye of the World (The Wheel of Time) – Robert Jordan
  48. The Great Hunt (The Wheel of Time) – Robert Jordan
  49. The Dragon Reborn (The Wheel of Time) – Robert Jordan
  50. The Shadow Rising (The Wheel of Time) – Robert Jordan
  51. The Fires of Heaven (The Wheel of Time) – Robert Jordan
  52. Lord of Chaos (The Wheel of Time) – Robert Jordan
  53. A Crown of Swords (The Wheel of Time) – Robert Jordan
  54. The Path of Daggers (The Wheel of Time) – Robert Jordan
  55. Winter’s Heart (The Wheel of Time) – Robert Jordan
  56. Crossroads of Twilight (The Wheel of Time) – Robert Jordan
  57. Knife of Dreams (The Wheel of Time) – Robert Jordan
  58. The Gathering Storm (The Wheel of Time) – Robert Jordan/Brandon Sanderson
  59. Towers of Midnight (The Wheel of Time) – Robert Jordan/Brandon Sanderson
  60. A Memory of Light (The Wheel of Time) – Robert Jordan/Brandon Sanderson

I’m not a particularly fast reader. I have the ability to read quickly but I feel like I don’t get as much out of the novel. I also feel like I don’t remember the novel as well as years go by. So I prefer to take a slower pace. This year will definitely be a challenge for me but I’m looking forward to every book on the list. Over the years, I’ve put off reading quite a few novels because of scheduling conflicts. I’m fortunate to be in a program that encourages this kind of reading.

Now it’s your turn. What books do you plan on reading in 2013? Do you have a set list? Any suggestions for 2014’s reading list?